Ae Fond Kiss – nervousness and excitement

Aaaaaaaaaaaaarrrrrrrrrrrrrrrrrrrrggggggggggggghhhhhhhhhhhhhhhhh!!!!!!!!!!!!!!!!!!!!

Yup, that about sums up my level of nervousness and excitement at the prospect of trying to do justice to arguably Scotland’s favourite son….EVER!!

I was amazed, humbled and terrified in equal measure when I was informed that the role or Burns was mine. I have been a great lover of Burns’ work from a very early age and competed in many Burns recital competitions throughout primary and high school. I even based my drama school ‘Movement Assessment’ (possibly the most daunting thing I’ve ever done, considering how ‘gracefulness impaired’ I have always though of myself) on debatably Burns’ greatest masterpiece, Tam O’Shanter.

Now I find myself trying to bring the great man himself to life and one question stands out like a sore thumb every time this concept springs to mind…WHERE DO I START??

Thus far, I’ve spent most of my spare time reading various biographies, guides and opinions of Burns and I think I’m starting to get a better understanding of what is a very complicated individual. From such humble, agricultural beginnings, it is fascinating to see just how far his talent and passion for the written word would take him…and yet how unfulfilled it would ultimately leave him without the love of a good woman (or twelve!!) to share it with. I was also very pleased to learn that, contrary to popular assumption, Burns’ was actually around 6’2” tall (only an inch and a half less than myself, as opposed to the 9 inches I previously thought I had on him) and was not quite as slim as many of his statues etc would tend to suggest…which considering he spent so much of his early life toiling in the fields, would seem to make sense also. I’ve got a long way to go to match his trademark “sideboard” facial hair, but I’ll give it a bloomin’ good go!!

All in all, I am incredibly excited to get started and really get my teeth into this amazing character!

Here tae us, wha’s like us…?!

Treasure Island Blog

 Lee's First Blog
 
With only a few days before the start of Rehearsals, now feels like a good time to start blogging! I have spent a good bit of this week working with my good friend (The Puppet) trying to gain a bit of confidence with my puppetry skills which prior to this week were pretty non existent, but we will get there! We also spent a day at The Mining Museum in which we had a great deal of fun with the publicity shots at various locations within the museum, which apart from the unusually hot weather was exciting stuff! Need to go through the novel one more time before Monday which i will be doing with Puppet in hand, as I have found this the best way to practice thus far! We also had a costume fit the week before last which was the first real cast meeting. This was a first for me….wearing tights is surprisingly comfortable….but removing them was a challenge in itself! Cast and crew seem  to all get along splendidly and i'm looking forward to the adventures ahead…

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Ae Fond Kiss

6th – 29th August 2009 (7:30pm)

The Story of Robert Burns by Simon Beattie

Following our sell-out production of this comedy biography of the life and loves of Robert Burns we have revised the show for the Homecoming celebrations. Ae Fond Kiss is a great way to get to know more about Burns and hear his work as it was meant to be heard. With new music and songs composed especially for the show we are looking forward to bringing back an old favourite.

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Special Evening (29th August)

We are delighted to announce our annual Special Evening is returning!

Tickets are £25 and include:

  • an after hours tour of the Mining Museum;
  • the performance of Ae Fond Kiss;
  • a Q&A session with the cast and crew; and
  • a post-show buffet and wine.

The evening will begin at 7.30pm and finish at approx 11pm.

Book early – In previous years, the ‘special evenings’ have been a great success and very well attended, we are delighted the Scottish Mining Museum are working with us to provide another special event for 2009!

Call 0131 663 7519 to book tickets to the Special Evening.

Treasure Island

6th – 29th August 2009 (4:30 pm)

Based on the novel by Robert Louis Stevenson

This year we are proud to present a new show for the whole family.

Meet the original Pirates of the Caribbean as your puppet guide, Jim Hawkins, narrates his way through his exciting journey to find Captain Flint’s hidden treasure. Along the way he battles a crew of pirates, led by Long John Silver, who are determined to steal the treasure for themselves.

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Andrews Blog 1

First Rehearsal – Andrew Warnock (George Bailey)
 
For some time now I have been looking forward to this project with equal measures of excitement and trepidation.
 
Lets take the latter first. How could anyone approach such an iconic and well loved character as George Bailey and not feel a little overwhelmed? The story of Its A Wonderful Life and the characters therein tend to mean more to people than those of other Movies. So many people (me included) have grown up with the story and have attached a great deal of sentimental value to it over the years. For anyone taking on such a story, the fear of being compared and coming up short proves a gigantic psychological barrier and in weaker moments you just can't help but imagine a sea of dissappointed faces, shedding tears and wondering how you could do such a thing to them.
 
That's the trepidation part. And the Excitement? All of the above reasons. The challenge of taking something that people think they know inside out and presenting it as something new and fresh and relevant. The prospect of illuminating areas of the story that maybe people didn't see before, or at least hadn't thought of.
 
Anyway, it was with all these thoughts swimming round my head that I arrived for the first rehearsal. The day got off to a shaky start, as the rehearsal space at Roslyn Glen Hotel was unexpectedly shut. This proved a brief and minor set back and actually allowed us the opportunity to walk along to the nearby Chapel (one of our performance venues) and have a good look round. That done, we returned to the Hotel and got down to the business of analysing the text and breaking it down into small workable chunks. This is a vital part of any rehearsal process as it helps the cast towards a greater understanding of the story and the part they will play in it. The cast assembled here have thrown a lot of interesting thoughts and ideas into the mix and I am already starting to feel excited about the direction that the story might in go and the way its characters will develope. 
 
All in all, its been a fruitful first day.
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Romeo and Juliet Video 1

Mike Osborne shows us how he goes about creating some of the banners used to decorate Rosslyn Chapel during the show.

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Romeo and Juliet Video 1

Mike Osborne shows us how he goes about creating some of the banners used to decorate Rosslyn Chapel during the show.

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ROMEO AND JULIET VIDEO 1

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ROMEO AND JULIET VIDEO 1

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Tonight’s the night….

Well, the first night is upon us.   The fact that I haven’t updated you for over a week gives you an idea of how busy we have been.  This show has presented more of a challenge than any that we have done before. 

I must take this opportunity to praise the actors who have worked tirelessly to create rounded, believable and enjoyable characters.  This years show has been a challenge from the outset and they continue to meet each new obstacle with determination and no shortage of creative solutions.  They really have worked wonders.

We are now at the stage of being ‘ready for an audience’  obviously during all of the rehearsals you are aiming to achieve something for an audience but it’s not until one actually arrives that you truly understand what it is that you are creating.  

Peter Brooke describes in his book ‘The Empty Space’  ‘A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.’    In one way of course he is absolutely right.  However, for me true theatre takes place when you have the space, the audience, the players and most importantly something to say.   In our case this is the magnificent story of Romeo and Juliet.   Tomorrow will be our first opportunity to really see whether our story affects an audience in the way we hoped.   If you would like to contribute your thoughts after watching the show please feel free to keep us updated with anything you liked or disliked. 

As with our production of ‘A Midsummer Night’s Dream we have some outside sections in the gardens of the chapel.  However the weather forecast is not too favourable for tonight but we’ll just have to keep our fingers crossed that the rain holds off.   It really adds something unique to the evening to be in the open air listening to Shakespeare – just as it was 400 years ago.   

Finally I would like to say a big thank you to everyone who has worked tirelessly in the supporting roles in the creation of this year’s show.   In no particular order,   Brenda Murphy who has assisted me brilliantly and offered excellent insights and asked thoughtful questions and made well thought out suggestions throughout and been a great support.  Cathie Owen our Voice Coach who has given the cast such tremendous support and help and been a great supporter of us all.   Bill Scott whose costumes seem to get better and better.  They are stunning creations and all made from scratch.   Michael Osborne who has whipped us into shape in terms of his stage management and found and made some excellent props.   Fiona Rutherford whose Clarsach is so wonderful to listen to.  All original creations (bar one) that fit and build the mood and atmosphere beautifully.   Thank you all.  

I will update you over the weekend as to how we go…  

 

 

 

 

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